The recent All Things Go music festival in New York showcased a groundbreaking lineup of mostly women artists who identify as trans, queer, bisexual, pansexual, or lesbian. The festival, which originated in Washington, D.C., made its way to Queens for the first time, drawing thousands of concertgoers despite the rain.

The star-studded lineup included artists like Boygenius’ Julien Baker, Ethel Cain, Muna, Janelle Monae, and Reneé Rapp. The festival highlighted the dominance of queer women in pop music today and celebrated their contributions to the industry.

According to Nadine Hubbs, a professor at the University of Michigan, the festival marks a significant moment in music history. She explains that while previous movements, such as the women’s music movement of the ’70s and ’80s or the feminist punk movement of the ’90s, focused on queer women, All Things Go stands out for its mainstream popularity and impact in today’s music scene.

The festival, which started as a music blog in 2014, has evolved into a major event that attracts fans from all over the country. By consistently booking female-forward lineups, All Things Go has become a must-attend event for music lovers.

The festival’s success highlights the growing demand for diverse and inclusive music events. Artists like Chappell Roan, Billie Eilish, and many others are paving the way for a new era of pop music that celebrates authenticity and diversity.

As Janelle Monae closed out the festival with an electrifying performance, fans eagerly voted for next year’s headliners, all of whom are women. The sense of community and empowerment at All Things Go reflects a larger cultural shift towards inclusivity and acceptance.

In a world where queer women are leading the charge in pop music, events like All Things Go are a testament to the progress we’ve made and the work that still lies ahead. As fans embraced the festival’s message of unity and celebration, it became clear that the future of music is brighter and more inclusive than ever before.